Words: Selin Ciftci Jenő Barcsay, White Lights,  1944 What enables an image to enter into dialogue with architecture? Is it the gravitational allure of architecture itself, like a black hole absorbing everything into its orbit, or is it that the image, since its very inception, has yearned for visibility and representation and has finally found a sufficiently expansive and hospitable stage upon which to realize this desire? Street of Szentendre  (1937), White Lights  (1944),

Words: Selin Ciftci "Time and place could have existed without us, not seeing us, not hearing us, leaving no trace." As a form of...

Words: Selin Ciftci Eyal Weizman, Intertwined Sovereignty, 2005. © Eyal Weizman In such times, a revolutionary (brave, young Turk,...